The theoretical ideal for any imaging application is to use a muted neutral colour palette for the elements of the user interface. Because of the effect of simultaneous contrast, areas of saturated colour in the user interface of any image manipulation application can affect perception of colours within the image that's being manipulated. It is quite a challenge to design an attractive, efficient user interface for a video NLE that also presents the user controls and menu options so that they're unobtrusive and yet easily found when needed. The longest running FOSS projects that have managed to attract a larger number of developers offer the most mature and well-rounded applications, but generally are struggling to keep up on features and often have unsophisticated, dated-looking user interfaces.
Commercial developers, such as Adobe and Apple are (just about) able to keep up with these developments, but charge a correspondingly high price for their top-end products. The recent and rapid growth in the development of higher-quality, higher-resolution digital imaging technologies - new camera file formats, 2K, 4K and even 8K resolutions and stereoscopic 3D - adds further complications to the development of video NLE software that's in tune with current needs, particularly in the professional market. Projects tend to start off with a basic function editor, with the aspiration of creating a more capable product as the release cycle progresses. For developers of FOSS video NLE (Non Linear Editing) software, the choice is arguably determined by available development resources.
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